Label printing technologies have undergone a sea change after the onset of 21st century. In the beginning of new millennium, the flatbed and letterpress processes made way for the narrow web flexographic printing which eventually grew to become the most preferred print technology for labels. With technological advances in prepress and plate-making process, Flexo print quality became closer to offset. This was followed up by hybrid printing using flexo, screen, gravure and later also offset printing in a single pass. We have been seeing the convenience of desktop office printers, inkjet or laser but they remained that way for long and were not used for high quality labels in roll form. It is only in the second decade of the 21st century that digital label printing began evolving. By middle of the decade, it was growing substantially in the western part of the World, yet but in India it did not find many takers.

 

In May 2015, I reviewed and wrote about the indulgence of Indian label industry in Digital printing equipment, I interviewed leading label printing companies of that time in an article titled; “Label Printing in India, digital has to wait”, available at the link;   https://harveersahni.blogspot.com/2015/05/label-printing- in-india-digital-has-to.html

In the summation I wrote; I am quite amazed by the similarity of responses from most of the persons who responded. All of them had expressed that the cost per print in digital does not prove it to be a viable proposition, considering the prohibitive cost of the equipment and that of ink and consumables. The undercurrent in all expressions is that digital printing as things stand now will not be the mainstream technology. It will co-exist with existing technologies and will be used for specific demanding needs. As for the time frame before digital printing becomes largely visible and used in label printing in India, they said it varies between 3 to 5 years. So, for the time being, “It has to wait a while!”

 

Two years hence, on May 7th 2017 I did yet another survey and wrote my article titled, “Digital label printing in India, the journey has begun! Self Adhesive Labels Industry In India and The World: Digital label printing in India, the journey has begun! (harveersahni.blogspot.com)My estimation was as follows: By latest count, the population of leading brands of digital label presses in India had reached twenty-two in number. This was besides the low value small printers that some companies may have acquired. Now this was a fairly impressive figure when just until over a year back the industry felt that digital has to wait. Estimating the size of the digital label market, I calculated the total consumption in the industry for digitally printed labels to over 52 million square meters per annum, which translated into to almost 5% of the total self-adhesive labels in India to be printed digitally. This surely indicated that for digital label printing in India, the journey had begun!

 

 

European Label Industry Association Finat had revealed in a statement that European digital label press installations overtook conventional press sales for the first time in 2017. The journey that began, has now progressed to be on a growth path. In fact, repetitive purchase confirms that the technology is not only here to stay but also attain steady growth.

 

 

 

 
In the present private survey or research in respect of digital printing of labels in roll form, done personally by me, I have arrived at interesting results. The data being presented here is entirely my own estimation and I have not depended on any already published authenticated information. I have interacted with the following renowned brands to arrive at figures that I present in this article;

 

Domino

Durst

Epson

HP

Konica Minolta

Monotech

Screen

Xeikon

 

The number of digital roll label presses of leading brands in India has expanded from the 22 in 2017 to 51 in 2022 registering a CAGR (Compounded Annual Growth Rate) of 18% as regards the number of press installations. Out of these HP Indigo accounts for 16 presses  which include two 25K which find usage both for labels as well as for flexible packaging and one HP Indigo for Lamitubes, Konica Minolta 10, Monotech 8, Domino 3, Xeikon 2, Durst 4, Screen 2, Epson was 5 machines as assessment done in 2017 since they did not respond I believe there have been no additions thereafter. Two water-based  inkjet presses from Astronova are also in the tally of 51 presses. If we consider just the numbers, Hp has 32% share of the installations, Konica Minolta 20%, Monotech 16%, Durst 8%, Domino 6%, Epson, Screen and Astronova account for the balance . However, this is not a real indicator of the quantum of investment by label printing companies in digital printing technology. I have done the calculation on the approximate costs of these equipment, the total investment in digital roll label equipment is more than Rupees 215 Crores or about 28 million US Dollars.  HP being the most expensive equipment of the lot, accounts for a whopping 66% of the investment made in value  while all others remain less than 10%.

 

Considering the geographical spread in number of installations; 36% of the established brand installations are in the West of India, 36% in the North and 11% in South. However, in terms of value,   the West leads the way, followed by South. As for label materials consumed, in 2017 I had calculated that 52 million square meters of labelstock was converted by digital printing. The consumption with increased investments and faster speeds appears to have more than doubled to over 109 million square meters registering a CAGR of 16%. As indicated by the people I interviewed there are many more installations being planned that will ensure continuous growth in this segment of label printing and converting.

Digital printing means web to print; it is an exciting process as compared to the analogue or conventional printing, yet it brings with it, challenges that translate it into a not so simple process. A technology that was initially being promoted as a complementary technology to conventional printing has reached a stage of being referred to as a competitive one. With presses going wider and running at higher speed and consumables getting affordable, it will not be long before it becomes a contemporary mainstream technology . However, those who have had the success and have understood the nuances of digital printing, are looking at expanding further in this segment of printing. I sought comments from many who have invested into digital capabilities and their responses make interesting reading.

Denver Annunciation, Janus International:  Janus International are pioneers, they were the very first label manufacturing company who invested in an HP Indigo press at their Thane facility. The brothers Denver and Janus are very enterprising. They have offset, flexo and Digital printing capabilities, all of which are doing well for them. They are a company who are growing beyond the inflationary growth. Being  manufacturer of beer and liquor labels, they wanted to do something different, and they took the challenge of investing in digital label printing. Since HP was the only established supplier of digital presses at that time with a proper setup, it was natural for them to install an HP Indigo press. Denver says, “Digital helped us cater to smaller businesses and widen our customer base while our other capabilities drove in the volumes.”  According to him digital does provide opportunities for creativity but it is not a standalone equipment that will deliver. You need different prepress and post-press finishing setup. It also involves additional resources that add up to per unit cost like requirement of same amount of manpower for packing, delivering and invoicing smaller shipments. Despite this adds Denver, “it gives a fair return and we will definitely look at expanding our digital capabilities“. Referring to their experience with digital Denver says, “Initial challenges were there, it has been a long journey, but surely enjoyable”.

Anil Namugade, Trigon Digital: Trigon Digital has been in the news in recent years for their multiple investments and expansion in the state of art digital equipment. Anil Namugade Managing Director of Trigon while answering why he opted for digital says, “Good label finishing and converting for me is like oxygen to heart, blood and brain for creativity.” Trigon has invested in multiple digital equipment and the biggest of them an HP Indigo 25K, his second HP Indigo after the first 6900. He asserts that digital has helped them grow, as since their inception 14 years ago they have been using only digital technology. Their business has been growing. Anil expresses, “digital is a mindset, we need to have a bit different approach in understanding the customer’s requirements and our capabilities to serve them.”

Honey Vazirani, Leap Digiprint:  Honey and Vikram, both directors of Leap Digiprints, spent 25 years in labels and packaging industry working for Paper products Ltd. later renamed Huhtamaki PPL Limited after acquisition by multinational Huhtamaki Oyj, so packaging is what they knew best. Wanting to be more futuristic, ecofriendly and wishing to initiate a small boutique business of their own, they made the choice to setup their maiden startup venture in Noida NCR Delhi. Selecting a strong digital print partner that time, HP was the best choice. The technology has helped them grow, giving the desired results from producing variable and short run of labels. Says Honey,” The turnaround times, print runs of 100-200 meters, variable printing…all the capabilities that attracted us to digital are still clear advantages.” Further she  adds, “Overall it has been good experience. However, it is not as trouble free as one would expect it to be. Also, the costs and pricing need to be handled effectively but unfortunately the downstream conversion for labels (post digital printing) is not as well developed as it should be to support short runs”

Harish Gupta, Sai Digistik: Harish Gupta led Sai Digistik has invested in two digital label presses HP with liquid toner & Konica Minolta with dry toner technology. According to Harish, the dry toner technology has limitations of only CMYK printing, no white and printing on limited substrates, so we have both liquid toner and dry toner printing capabilities to have the best of both. Cost of digital printing is high, it was very good working with digital during pandemic phase-1 when manpower was short, and requirements were instant. Short runs are easy to handle, and we got focused to help startups for their smaller needs with our motto “Startup for Startups.” With no need of plates and make ready etc., the turnaround time is less, yet it is not a simple technology, one needs to study thoroughly before investing. Cost of producing labels is higher as compared to flexo, but it is felt that, as we grow in volumes the costs of consumables will reduce. However, as we see the trends globally, with manpower becoming a challenge and reducing length of jobs, digital is bound to grow and find preference.

Surendra Shriyan, Maa Flexi-label: An offset printer who realised that volume-based production has decreased with more variables and short runs, in the given scenario digital is the future for good printability and  fast turnaround time. They opted for HP Indigo label press. Being new entrants, they are exploring exciting possibilities but feel pricing in digital is a challenge. After observing the changes in the western world regarding the digital label printing, even though they are convinced that it is futuristic, yet they say, “It is not all, a bed of roses.”

Nilesh Jain, Mahavir Impex: They opted for a Durst UV Inkjet label press for its print quality output without applying any primer on most substrates. Nilesh expresses that digital has helped to achieve desired results within minimal time and reduction of undesired wastages. They feel it will become the predominant technology , but the results from different digital print technologies (dry toner/liquid toner /UV Inkjet etc.) would not give a uniform and similar print result on various substrates. The advantage of digital for them is outstanding quality achieved at good speed and reduction of waste with no investment on plates and other expenses.

Manish Hansoti, S Kumar: Narrating his experience with digital label printing, Manish Hansoti says; “Looking to cater to demand of small quantity, variable printing multiple S K U’s and label on demand, we have invested in a Screen digital label printing press. We had assessed all technologies and found Screen ink jet printing technology was a better fit for us as we wanted to print labels with less ink coverage for specific customers. The cost of the ink in this process was found lower as against dry toner FASMA/click charges. We consider digital technology as part of customer service because in small volume there is no chance of making topline but can get customer satisfaction. The technology will grow if the capex goes down and ink price or click charges drop, then there will be big changes in global printing scenario. Short run or variable printing is profitable but there is limitation in getting many such orders, so we always have spare capacity. We do not see another investment in digital until costs of inputs come down.”

Priyank Vasa from Unick Fix A Form: “The Domino N610i digital label press was acquired by us in 2018. Wanting to free up our flexo capacity to improve turnaround time and job throughput, we started exploring options. We narrowed down to the Domino N610i because of Domino's strong presence in India and its service network.

Evaluating its media compatibility, color matching, accuracy of pantone reproduction, ink cost analysis, it looked the right press for us. The press was commissioned in the beginning of 2020. Dealing with a modern technology we knew there lies a learning curve ahead. In the present-day scenario, we have been able to take up new business both for flexo and digital. Digital has added to our sales where we are able to completely leverage the opportunity cost which could not happen in flexo. We do not limit use of the digital press to small runs. It has also opened new avenues for us in respect to products like IML, Shrink sleeves, Cartons and VDP.”

 

Vinod Vazhapuli, Skanem IndiaHaving run a very innovative campaign for the FMCG company Reckitt Benckiser(RB) Vinod Vazhapuli Managing Director of Skanem India is very optimistic about including more digital printing capabilities in his company’s expansion plans. Skanem  had been a part of Dettol’s unique packaging commemorating Covid warriors. Please see my blogpost titled Dettol Labels used to salute "Covid Warriors"! Skanem India, a part of Norway headquartered Skanem AS was one of the two approved vendor of RB who were roped in to execute this special campaign of Dettol customized labels. The deliberations for this campaign started when Reckitt approached Skanem in second week of May 2021 and discussed the possibility of creating one hundred variably printed unique labels. Having an HP Indigo press, the capability was there. They were given an order for two million labels. It was a gigantic task as there were one hundred artworks. RB wanted the right pantone shade of Dettol and the job had to be done in speed, so Skanem requested RB to give them the artworks also in CMYK because to match the green Dettol shade as close as possible to the required shade it is necessary to have the prepress right. The approvals were done online and the material delivered in time. That is the power of digital, the rest is history.

 

Rajeev Chhatwal, Kwality Offset: Rajeev sums it all well, he says he sees a good future for digital label converting. Printers need to look at this technology positively and separately without drawing a comparison with analogue or current capabilities even though it is a business that needs to run parallel with your current profile of business. One of the biggest advantage of digital is that it helps one to increase customer base. A larger customer base, if attended well, ensures continued growth. To find success in digital arena one needs to accept that there is a definite learning phase and one must provide for contingencies while planning and be prepared for them. Rajeev says, “It is a business that has a bright future in which the fittest, the one with guts and endurance, will survive and excel. It is a business that provides impetus to your present business and when you do short, variable and personalized run for a customer, you have a happy customer! In a young Indian population becoming spenders, ecommerce is looking up, does it not ensure positive growth of Digital which permits variable and personalized printing? Are we not looking at the numbers of startups on rise? My next investment, maybe a year down the line,  will be digital, I invested in a Xeikon with dry toner technology, which I am happy with, I will probably go for a UV Inkjet next to expand my capabilities”.

 

The author is grateful to the people without whose help and inputs this compilation may not have been possible. Those whose support I got, include Umesh Kagade and entire team of HP, Shayak Mukherjee of Konica Minolta, Ajay RaoRane of Domino Printech, Vikram Saxena of Xeikon, Jimit Mittal of Monotech and Ajay Agarwal of Insight Print Communication for Screen and Venkatesh Selveraj of Printronics for Durst.

Note: Printing magazine and portals can republish the above ONLY after giving credit to the author Harveer Sahni and mentioning blog https://harveersahni.blogspot.com 

 

Written by Harveer Sahni Chairman Weldon Celloplast Limited New Delhi India April 2022

Narinder Chhatwal hailed from a family of traders in Lyallpur, a city which is now in Pakistan after the partition of India in 1947. Lyallpur was named after the founder of the city the then Lieutenant-Governor of the Punjab, Sir James Lyall, for his role in establishing the canal colonisation project. In 1977 the Government of Pakistan changed the name of the city from Lyallpur to Faisalabad (‘City of Faisal’) in honour of King Faisal of Saudi Arabia, who made several financial contributions to Pakistan. Faisalabad is the third-most-populous city in Pakistan after Karachi and Lahore, respectively. It was in the turbulent times of 1947 during the division of India into India and Pakistan, that the Chhatwals migrated to New Delhi. After completing his schooling, Narinder Chhatwal took up a job in the iconic Kwality Restaurant in coveted location, New Delhi’s Connaught Place, a venture set up in 1940 by P L Lamba and his brother-in-law I K Ghei who grew it as a multilocation restaurant chain. Narinder worked there until 1961. There was a strong urge to have his own business, so he set up a unit to produce ice cream cups but as situation warranted then, he left this venture and rejoined Kwality Restaurant yet again in 1964. Despite the stable job, the entrepreneur in him was restless and the urge to set up his own production unit re-surfaced and he finally quit the job permanently to start a printing unit nostalgically named Kwality Carton Manufacturing Company, in a single room rented at Kirti Nagar, New Delhi in 1966-67 using the manually fed treadle letterpress printing machine. He manufactured Ice cream cups, lids, cartons for Ice cream bricks and in fact a host of printed packaging items. In 1971 he could get an allotment for an industrial plot from government at Naraina Industrial Area and he moved the unit to this location where from, they operate to this date.

 
A little over a year after moving into their Naraina factory they bought their first offset printing press, a 712 single colour Dominant, a year later they bought another similar press and followed it up with a 714 Dominant. Falling short of space, the adjoining building was available, so they bought it as they were growing. In 1982-83, expanding further they acquired a two colour Planeta. Once into offset printing, Kwality was in expansion mode, they were adding equipment every alternate year. At this time, they renamed the company as Kwality Offset Printers. In 1986 Narinder Chhatwal’s son Rajeev an 18-year-old had joined business. Rajeev did his initial Schooling at Springdales School Delhi followed with graduation from Delhi University. The post partition Punjabi families who left all that they had, back in what had become Pakistan were hard working and were quick to start from scratch to regain their stature by sheer hard work. The second generation were all following their father’s footsteps and would be helping their parents in the work, spending time after school or college on the shopfloors of their startup units. For them, the shop floors became the training ground, and they learnt the nuances of business hands on. Rajeev was no different, with a  father like Narinder mentoring him and passing on the experience to his son who was a quick learner, he settled down in the business quickly. He however did go for a short training program at Heidelberg Germany. With his joining in, the business accelerated and soon the space in their Naraina factory was again falling short. In 1988, they bought out yet another next-door unit to make room for more production space so now the factory is operating from three adjacent plots. The same year they bought their first four colour offset press a secondhand Roland. Expansion became a routine process. They believed and were convinced that as far as possible it is better to operate from a unified single location in one city. This way the management which was Narinder Chhatwal, and his son Rajeev Chhatwal were not split and would remain a support to each other.

 

 

Until 1995 Kwality offset was producing Cartons, some commercial printed items and wet glue labels. In 1995-96 they decided to become a hundred percent label manufacturing unit which was only wet glue labels. The story of their entry into wet glue labels is interesting. In the early 1990s when the number of breweries started to grow and bottling speeds were on the rise. To label bottles at 250 bottles per minute, the labels needed to be perfectly die punched and stacked to run on highspeed lines. The normal flatbed dies would not work well. Kwality, because of their experience in ice cream cups and lids production were well versed in ram die punching and their workers were well trained in the process. Their manufactured labels ran extremely well on the high-speed labelling machines at breweries and distilleries and soon the word spread of their capabilities. This helped them get the orders from many other breweries and liquor producing companies. It was just a matter of time that they became the largest suppliers of wet glue labels in north India, though they were supplying pan national. It is interesting to note that normally people print and then get into label finishing equipment, here because of their knowledge of finishing the ice cream cup lids by hydraulic ram punching got them into high end big volume label printing. Their first customer for beer labelling was a government owned Haryana breweries at Sonepat making a popular brand of beer those days “Rosy Pelican.” Their success in making the perfectly die-punched wet glue labels also got them their first break in corporate world with orders from the multinational brand owner Nestle.

 

 

It was in the year 2000 when self-adhesive labels were gaining in popularity, the Chhatwals invested in a Mark Andy 2200  narrow web label press and in the following year, they also increased their investment in sheetfed offset by installing a six colour Heidelberg press. In 2002 they installed another sheetfed offset a five colour Roland with UV and online coater. Hereon, expansion became an ongoing process, they added three Mark Andy presses, a Gallus and a Xeikon in 2018 to make their entry into digitally printed labels with an ABG Digicon series 3 finishing and embellishing machine, which also has hot foil stamping , embossing and screen-printing capabilities. These investments enabled them to add multiple security features on labels. Increasing their footprint in flexo they also set up inhouse platemaking with Kodak Flexcel. Rajeev’s father Narinder Chhatwal passed away in 2008 until when, he was still attending business, though the reins had been passed on to his son Rajeev.

 

 

Rajeev’s other siblings include a younger brother who is into real estate and a sister who is a homemaker. His wife Shalini is also a home maker. His son Krish completed his business management from Sydney and joined business at Kwality offset four years ago. Two of those initial years were passed in facing the pandemic and last year in 2021 he got married. Krish’s wife Sanya, an expert in baking, after completing a course from APCA Malaysia, is running her own business, a bakery named Delhi’ce in Gurgaon making specialty cakes. Rajeev’s daughter recently completed her study in architecture and is now pursuing her career as an architect.

 

 

Having put in place a full-fledged team to manage all production, Rajeev, and son Krish personally look after sales and marketing. While Krish looks after all new customers, Rajeev manages and caters to, and successfully retains all old customers. The present spread of business is with three flexo presses, one digital label press Xeikon, Abg digicon, one Roland and one Heidelberg sheet offset press in a shopfloor admeasuring approximately 60,000 square feet. Total workforce is 130 persons all in one location at Naraina Industrial Area New Delhi. With no more space left for expansion at present location, they have bought a 2200 square yard plot at Manesar south of New Delhi for another factory to fuel their further expansion. When asked about future plans, Rajeev expresses that they are not really concerned about just volumes, they are more oriented to implement better and innovative technology and be profitable to grow the bottom line instead of focusing on bigger turnovers. Kwality has been growing at about 10 percent per annum and they are committed to maintain the growth rate. Conscious about the environment they have tied up with approved and certified waste management agencies as also cooperating with Avery Dennison on their waste management endeavours. They even try and source most of their paper materials from FSC certified vendors. Despite the aftereffects of pandemic, the father-son team are committed and firm to keep the expansion and investment in new technologies an ongoing process. Their resolve years ago to give-up cartons and other commercial printing to stay with 100% manufacturing of labels is unique in today’s situation. These days offset printers do integrate forward to produce labels and vice-versa label printers, in an effort to grow turnovers, expand into print packaging. They wish to remain specialty label printers, investing into innovation.

 

Written by Harveer Sahni, Chairman Weldon Celloplast Limited New Delhi March 2022

PS: Printing Magazine may publish this article giving credit to author Harveer Sahni and Blog https://harveersahni.blogspot.com  

The narrow web label industry is a smaller segment of the larger diverse printing and packaging industry. It remains in focus for being the face of all products and an imperative identity providing part of any package. It is estimated by many that the Printing industry in India is growing at over 12% per annum. Some segments get slower and there are others like packaging are growing at a faster pace of 17% to compensate the shortfall by registering better growth. The label industry has been growing in a very wide band between 10 and 25%, the growth has always been in double digits. While Offset is the largest segment of the printing technologies employed yet the past 2-3 decades have seen growth in adoption of other printing processes like flexography, Roto

In recent times the convenience of “just in time computer to print capabilities” has resulted in adoption of digital printing by many printers such that the segment is registering robust growth of 30%. The narrow web label industry that is largely employing flexographic printing has been conservative and hesitant in adopting digital printing for labels because of higher investment in capital equipment, expensive inks and costly printheads needing replacements resulting in costlier labels in comparison to those produced on their existing equipment. The return on investment appeared to be unattractive. It was just a matter of time that the growth of digital printing of labels in India would start to attract investment. Finat, the European label Association with global membership had reported a couple of years ago that European investments in digital presses for labels in a year had exceeded that in flexo presses. We now see an evident interest and indulgence in this digital label printing technology by Indian printers as well.

Recognising the need for knowledge and understanding  digital printing technologies since label printing and converting is in an evolutionary phase of adopting digital printing, while still growing with analogue, LMAI-The Label Manufacturers Association of India organized a program titled “DIGITAL PRINTING IN LABELS – THE WAY FORWARD” for the benefit of its members only. The program took place at ITC Welcome Hotel, Chennai on the 20th of December 2019. Unlike the other printing processes digital printing has largely four different tangents; Dry toner printing, Liquid toner printing, UV Inkjet printing and water-based Inkjet printing. To deliver the knowledge, leading companies came forward to sponsor the event as also to make very interesting presentations. The following speakers from their respective sponsoring companies made presentations;
 
  • Dry Toner Digital: Xeikon. Presenter; Vikram Saxena, Sales General Manager Xeikon India (Part of Flint Group)
  •   Liquid Toner Digital: HP. Presenter; Ashok Pahwa, Sales Manager-Indigo & Inkjet Solutions (HP India Sales Pvt Ltd).
  •   UV Inkjet Digital: Domino. Presenter- Ajay RaoRane, Asst. Vice President-Digital Printing Solutions. at Domino Printech India LLP
  •   Water Based Digital: Astronova Inc. Presenter-Goutham Reddy, Regional Sales Manager
  • Non-speaking support Sponsors: Avery Dennison and Durst Phototechnik AG
After welcoming more than eighty delegates present and after felicitating the sponsors, LMAI Secretary Rajesh Nema handed over the moderation to Harveer Sahni member LMAI Board of Directors.
 

Sahni updated the audience on the journey traversed by the label printing industry in India. Starting from the first self-adhesive label made by screen printing process in 1965, he covered many landmarks in the evolution that included the first flat-bed very narrow web Japanese label presses to produce labels in roll form in 1972, rotary label converting in 1982, flexographic label printing in 1993, adoption and development of UV flexo from 1997 onwards, setting up of LMAI in 2002 and the first installation of digital label presses toward end of the decade of 2000.

All the speakers gave important insights in the technologies offered by them and emphasized the need and importance of short runs, personalization and variable data on labels and for that how Digital Printing capabilities are fast becoming a necessity.

Goutham Reddy from Astronova explained the cost effectiveness of water-based process and also dwelled on their offering equipment to print on finished packages, 

Ajay Rao Rane of Domino highlighted the strength of UV inkjet and achieving a higher colour gamut besides printing opaque UV white that is needed for transparent films, 

Ashok Pahwa demonstrated the success they achieved in personalization of leading brand of beverages giving another dimension to retail marketing of fast moving consumer products and finally 

Vikram Saxena of Xeikon informed that digital printing was picking up pace with over 32 high-end installations reported in India. He further informed the benefits of dry toner digital printing technology and that it did not require any precoated media.

It was encouraging to note that despite the event being organized in South India many printers travelled from all over India to attend and to learn the nuance of this emerging technology. Some of the printers seen at the event included Gee Kay-Bangalore, Seljeget-Sivakasi, Fairfix-Tirupur, ITC-Chennai, Manipal Technologies-Chennai, Prakash Labels-Noida, Kwality Offset-New Delhi, Pragati Graphics-Indore, Speclabel-Kolkata, Total Print-Mumbai and Zodiac Graphics-Hyderabad.

LMAI founder members Raveendran of Seljegat, Sandeep Zaveri of Total Print, LMAI founder promoter Amit Sheth and Board member Ajay Mehta of SMI were present at this important industry event.

An interactive question answer session was followed by a vote of thanks by Rajeev Chhatwal Vice President of LMAI. The evening ended with networking cocktails and dinner.


Grand Hyatt Kochi
India’s label association LMAI’s 5th biennial conference is planned to be the biggest and most successful event of Indian label industry. The event is scheduled to be held at recently opened property, HOTEL GRAND HYATT, KOCHI, BOLGATTI from 25th – 28th July, 2019. Perched on 26 acres of plush green land on the serene Bolgatty Island, Grand Hyatt Kochi Bolgatty is a waterfront urban resort overlooking the backwaters of Vembanad Lake.


Grand Hyatt Waterfront




Leading label printing companies and suppliers will meet to discuss, evaluate opportunities, learn and strike business partnerships that shape the future of their businesses in relaxing ambience and surroundings. LMAI conference has been growing in strength and numbers over the years.







2017 LMAI Conference at Agra





The last conference was held at Agra with 550 delegates. The LMAI leadership is expecting the attendance to jump up to 600 delegates. An elaborate knowledge sharing, entertainment and technical program is being put in place to deliver value to the LMAI members coming from all over India.






About the city Kochi: Kochi (formerly known as Cochin) is a city in southwest India's coastal Kerala state, fondly referred to as “God’s own country”. It has been a port since 1341, when a flood carved out its harbour and opened it to Arab, Chinese and European merchants. Sites reflecting those influences include Fort Kochi, a settlement with tiled colonial bungalows and diverse houses of worship. Cantilevered Chinese fishing nets, typical of Kochi, have been in use for centuries.